As a director and producer of new work, my priority is managing an efficient, warm and judgment-free working space for playwright and players. I guide dramaturgical conversations, character work and thematic questions as we all build new work together. For workshops without a reading, I facilitate discussion using the Liz Lerman structure and always ensure all creators are aligned on the context and goals for a new play workshop. For staged readings, I do preparatory staging and blocking work to ensure efficient use of schedule for any amount of allotted workshop time. I believe a reading is a chance to have an open rehearsal where everyone coming to see your work leaves with a desire to see more (read: get you production opportunities!), so I elevate readings with a bit of staging and orchestration, all with the intent of having audience members be able to see what more is possible. Because of this, I specialize in directing plays from first read through all the way to a world premiere, including Route by Alexandra Shields and Pomegranate Season by Victoria Cano.  In addition to the highest levels of creativity and preparation, I commit to maintaining an equitable and inclusive space for all artists in the room. I value the progress and creativity that is attained through tough conversations over the experience of my own discomfort. I commit to conversations with the playwright around intentionally diverse casting to best serve and elevate the play.